mYak + Sarah Solomon's Kits
Kit Lotosblume Cowl
My pieces come from the Tibet of my imagination. I wanted to use elements that are connected to Tibet, its landscapes, colors and people, but I also wanted to see where the color and texture of the yarn would take me on its own. I chose shapes and elements that were uncommon and slightly whimsical, to disconnect the pieces from a particular time and place and root them in their own world.
Kit Lotosblume Cowl
My pieces come from the Tibet of my imagination. I wanted to use elements that are connected to Tibet, its landscapes, colors and people, but I also wanted to see where the color and texture of the yarn would take me on its own. I chose shapes and elements that were uncommon and slightly whimsical, to disconnect the pieces from a particular time and place and root them in their own world.
Kit Lotosblume Hat
My pieces come from the Tibet of my imagination. I wanted to use elements that are connected to Tibet, its landscapes, colors and people, but I also wanted to see where the color and texture of the yarn would take me on its own. I chose shapes and elements that were uncommon and slightly whimsical, to disconnect the pieces from a particular time and place and root them in their own world.
Kit Lotosblume Hat
My pieces come from the Tibet of my imagination. I wanted to use elements that are connected to Tibet, its landscapes, colors and people, but I also wanted to see where the color and texture of the yarn would take me on its own. I chose shapes and elements that were uncommon and slightly whimsical, to disconnect the pieces from a particular time and place and root them in their own world.
Kit Little Castle Hat
My pieces come from the Tibet of my imagination. I wanted to use elements that are connected to Tibet, its landscapes, colors and people, but I also wanted to see where the color and texture of the yarn would take me on its own. I chose shapes and elements that were uncommon and slightly whimsical, to disconnect the pieces from a particular time and place and root them in their own world.
Kit Little Castle Hat
My pieces come from the Tibet of my imagination. I wanted to use elements that are connected to Tibet, its landscapes, colors and people, but I also wanted to see where the color and texture of the yarn would take me on its own. I chose shapes and elements that were uncommon and slightly whimsical, to disconnect the pieces from a particular time and place and root them in their own world.
Becket Hat
My pieces come from the Tibet of my imagination. I wanted to use elements that are connected to Tibet, its landscapes, colors and people, but I also wanted to see where the color and texture of the yarn would take me on its own. I chose shapes and elements that were uncommon and slightly whimsical, to disconnect the pieces from a particular time and place and root them in their own world.
Becket Hat
My pieces come from the Tibet of my imagination. I wanted to use elements that are connected to Tibet, its landscapes, colors and people, but I also wanted to see where the color and texture of the yarn would take me on its own. I chose shapes and elements that were uncommon and slightly whimsical, to disconnect the pieces from a particular time and place and root them in their own world.
Lilia Hat
Stranded for warmth and weightless to wear, Lilia celebrates the subtleties of natural-dyed cashmere with changing motifs that allow the colors to interact and play off one another in varied ways from brim to crown.
Lilia Hat
Stranded for warmth and weightless to wear, Lilia celebrates the subtleties of natural-dyed cashmere with changing motifs that allow the colors to interact and play off one another in varied ways from brim to crown.
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